Frances Housden

February 2001

by Bronwyn Jameson

 

 

Frances’ first book, The Man for Maggie, was a January 2001 Silhouette Intimate Moments release in North America. Its Australian and NZ imprint is part of a February two-book HQ Intimate Moments, teamed with Dangerous Liaisons by Maggie Price.

Thea Davis of The Romance Reader says in her on-line review: “Frances Housden accomplishes much in this book. Artfully, she simultaneously sustains mounting sexual tension between Max and Maggie with ever increasing suspense. Just when you think you have it all figured out, it twists again.”

A stunning review for a first novel, so let’s meet the writer who made it all happen.

Frances lives in Waimauku, a small rural village - three shops and a petrol station - northwest of Auckland and in the heart of a wine district. It is hardly surprising she chose to set her first book amongst those vineyards.

“We live on a ten acre block, me, my husband, and a wheaten terrier, Siobhan, who thinks she runs the place. I have two large sons, two small grandsons, and another still to be decided on the way.”

 
 

BJ: How long have you been writing?

FH: I’ve been writing romance for about seven years. Three years ago I took redundancy from the La-z-boy factory where I was a supervisor, to concentrate on my writing. Financially, it made a lot of changes to our lifestyle but it has been worth it.

My first visit to an Australian conference was in 1996 and I’ve jumped the ditch to every Romance Writers of Australia conference since. My Scottish accent is a bit hard to miss and I’m sure many Hearts Talk readers will remember meeting me.

After my first RWA conference I came home as a member of the Isolated Writers Scheme. This is one of the best moves I made. I met Enisa Hasic at the conference. We clicked and have been friends ever since.

BJ: How many books have you written?

FH: My first book was a M&B which no one will ever see. After writing it three times I realised M&B was the wrong direction for me. In 1998 I entered the inaugural Clendon Award with Burning Bright, my second full length book. A Desire, it placed third and received a nice full page rejection which was very encouraging.

BJ: And so you decided on Intimate Moments?

FH: Yes, I had too much to say, too much plot for the other lines. That’s when I decided to try IM.

BJ: How did your first sale come about?

FH: My third complete book, The Man For Maggie, won the 1999 Clendon Award as Cry Baby and was picked up six month later by Leslie Wainger (senior editor for SIM and the final judge.)

Ed note: The Clendon Award is RWNZ’s annual full manuscript contest for unpublished writers.

Now, I know my heroine was psychic, but I didn’t know it was catching. I was actually at the computer, writing a very polite letter to Leslie when the phone rang and she was on the other end saying, “we want to buy your book.”

BJ: How did you feel hearing those magic words?

FH: For all the effort, blood sweat and tears, we put into our writing, hoping to get published, it still comes as a surprise to hear them. I’d just finished book number four, my second 85,000 word novel and I was reduced to one word, WOW!

BJ: You have held the first book in your hands … tell us about that…

FH: I think that was my next best moment. Actually holding my book in my hand. I couldn’t stop shaking.

BJ: Is the cover all that you imagined?

FH: I love the cover. Who would have thought I’d have John DeSalvo on the cover of my first book? I had to describe three scenes from the book and the cover artist picked the wedding scene from the epilogue. It was pretty much as I’d described it, the colours all blended perfectly, and how was he to know it’s too hot to grow lilacs in Auckland?

BJ: Did you read the book when your author copies arrived?

FH: I did read it, and picked up a couple of mistakes the copy editor had missed, but I have to say I found it to be a good read. Just the kind of book I like.

BJ: Tell us a little about the story…

FH: Maggie Kovacs is the CEO of a winery left to her when her father died in a plane crash. She’s also psychic and the notoriety she gained when it became known she’d predicted her father’s death has made her wary of the media and police alike. But when a serial killer haunts Auckland City as well as her dreams, she is forced to speak to the police. Although Det. Serg. Max Strachan has his own reasons for shunning her psychic predictions, in him Maggie finds a man she can not only love, but trust to make sure her dreams won’t come true.

BJ: That sounds intriguing. Where do you get your ideas?

FH: I find them anywhere - I only hope I have time to write them all. My first three books will all be set in New Zealand, but earlier in 2000 I went on a trip to the States with my mentor, Enisa. I did lots of research there.

BJ: Do you have a writing routine?

FH: I don’t write on Thursdays, that’s the day I look after my grandson. The other days I fit it in whenever I can, day or night.

BJ: When not writing, how do you spend your time?

FH: I love to read. I adore many writers and last year at the RWAmerica conference in DC I met most of them face to face, starting with Nora Roberts, Linda Howard, Susan Elizabeth Phillips. I also met a lot of IM writers like Ruth Wind and Beverly Barton and Maggie Price.

BJ: To what do you contribute your success?

FH: If I knew that it wouldn’t have taken me six years to sell my first book. But Harlequin asked me for a quote and this is what I said, “I love writing and getting published is the icing on that particular cake. But I’ve learned there is no formula, no magic except in the words themselves, and even wishes have to be worked for.”

BJ: Any advice to writers wanting to break into the American category market?

FH: Read all the lines and write for the one you like to read most.

BJ: Your ambition as a writer…

FH: I think my writing is close enough to mainstream romance that the leap won’t be too hard and I do have a few ideas, but for now I’m content to write for IM.

 


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