Some Write it Hot: musings and myths about erotic romance

by Denise Rossetti

 

 
What is erotic romance?  How does it differ from sexy romance or erotica?  Award-winning author Denise Rossetti tells us the who’s and whys of this growing subgenre of romance.
 
Myth 1: I won’t sell if I don’t write hot. Everyone’s doing it
Forget about hot for a minute and bear with me. You’re writing genre fiction, aren’t you? The first requirement is to entertain the reader. If you can’t do that, you won’t sell. So it’s essential to write a good story - packed with excitement, sensuality and emotion. Not even wall-to-wall sex will save a badly written book.
 
And if you aren’t comfortable writing sex, it will show! More about that later.
 
But it’s certainly true that the market is changing. Sex has always sold, but now more and more books are being labeled “erotic”. However, writing sex is not obligatory and neither is reading it. Bear in mind that many readers don’t want their romance sexually explicit. Romance Writers of Australia has many wonderful writers whose books are “sweet”, but also extremely sensual. Readers love ‘em! And then there’s the other booming market, especially in the USA – for Inspirational Romance.
 
The print publishers have watched while the small presses went online and created a market for erotic books. Now they’ve jumped on the bandwagon in a big way, causing a considerable degree of confusion about terminology. Which brings me to Myth Two…
 
Myth 2: It’s only porn for women
Opinions about sex are so extraordinarily personal, that it’s difficult to arrive at a consensus about definitions. For what it’s worth, here’s my thinking, together with some others. I see a continuum, something like this…
 
In any romance, the author takes the reader along on every emotional step of the relationship journey. The HEA is obligatory. In a "hot romance", we have all this, but the sexual action is pretty explicit as well. In general though, the vocabulary is relatively discreet (no Anglo-Saxon words) and the sex isn’t kinky. In fact, the sex could be toned down without damaging the storyline.
 
Next is “erotic romance”, where a romantic relationship develops between characters and is expressed through sexual interaction. With a Happy Ending. Angela Knight defined it this way: “Erotic romances are romances in which the focus of the story is on the growth of a loving relationship between at least two characters which ends in a permanent commitment between them. Sexual encounters play such an important role in the development of the romance that if the love scenes were removed, key plot events would be missing and the story would collapse.”
 
Joey W. Hill, who writes extraordinarily powerful books about BDSM (bondage and discipline/domination and submission/sadism and masochism) relationships, says, “The central theme to all of my work is what unconditional love means. The power it holds to heal, to sacrifice, to strive to be better than we thought we could be, and take the risk to give everything to another person.”
 
Toni Blake (who writes erotic books as Lacey Alexander) describes erotica as being more about the sexual journey of the characters and romance may, or may not develop. The HEA is not an intrinsic part of erotica, though it may be included.   Pornography, on the other hand, doesn’t require characterisation, emotional involvement or even much of a plot. These stories are written primarily to sexually arouse the reader and nothing else.
 
As for “Romantica”, this is a term trademarked by Ellora’s Cave. Former editor Heather Osborne has said, “The very word shows where the importance lies. Romance first, erotica second. Ideally the whole story – and all of the sex therein – should help progress the romance between the characters.”
 
Myth 3: I’ll have to use those crude words that make me squirm
Well, then don’t! Explicit does not equal crude. And crude most definitely does not equal erotic. The writing of Emma Holly is a case in point. It’s lyrical, sensual and complex. Incredibly erotic, but not overburdened with “those” words.
 
Myth 4: Come to think of it, there are a few sex acts that make me really uncomfortable. And they’re part of the genre
Erotic Romance and Erotica may include ménages, same sex encounters, sex with aliens, BDSM and anal sex. Or they may not.
We are all affected differently and not everyone shares the same fantasies. As Shelley Bradley points out, “One reader's revulsion may be another reader's ultimate act of surrender or provide amazing power.”
 
Joey W. Hill has said, “To me there is nothing profane or ‘dirty’ about sex in its many positive and amazing forms – in fact it is an act laden with the sacred and magical. It keeps us in touch with our most primal and most spiritual natures at once, and there is so much room along the spectrum to be emotionally moved, changed, physically delighted and pleasured.”
 
In the final analysis, it’s up to you. And the judgment call is a simple one to make.
 
If it makes you uncomfortable, DON’T WRITE IT! A reader who loves erotic romance can tell immediately if you’re self-conscious, but writing it anyway. Concentrate on the other things you’re good at.
 
Myth 5: I won’t need to concentrate so much on characterisation if there’s enough hot sex
Hullo?
 
No one will care about who’s doing what to whom if your people are cardboard cut-outs living boring lives. Don't they say the most important erogenous zone is the one the between the ears? Especially for women. Page after page of docking procedure leaves me cold.
 
Good storytelling is good storytelling. Sex should never be gratuitous, even in an Erotic Romance. Sensuality, on the other hand, is obligatory. And good sex is overwhelmingly sensual. How to be sensual? Surely you can guess!
 
Character, character, character. Deep, deep POV. It's the only way to go. Doesn't matter if it's a male, an alien with nifty tentacles or a virgin bride. Empathise, use your imagination. Your characters possess all the usual senses (and possibly more). How does it feel, physically and emotionally to be that person? Use every possible yummy sensual word at your disposal and make sure you get the right one. Do you mean sticky or sweaty, or both?
 
Myth 6: I’ll make a lot of money
Most erotic romance is still published by online publishers like Ellora’s Cave, Loose ID, Samhain and a host of others. At the bigger e-publishers, you can make a steady living provided you keep the momentum going. This means producing something like four books or more a year. It’s important to keep building your backlist and increasing your fan base.
 
You won’t sell as many copies as you would with a big print publisher, but you will receive 35% to 40% of the retail price in royalties. Electronic publishers also tend to pay more regularly than the big print houses!
 
If you can secure a contract with a print publisher, then the same rules of thumb apply as with any kind of romance.
 
Myth 7: I won’t make any money at all
If you write for a small and/or new electronic publisher, you won’t make anywhere near as much. In fact, if you aren’t careful, you may end up spending more on promotion than you make in royalties! But you will make something, even if it’s only pocket money.
 
Myth 8: People will think I’m weird
Yes, they might, but it’s up to you whether to tell them and how much detail to go into, particularly your nearest and dearest. As Joey W. Hill points out, “Family is usually the last group to take you seriously. I mean, they’re the ones who have seen you do some of the stupidest things you’ll ever do in your life.”
 
In my experience, women are either immediately supportive or simply disregard that part of the conversation. Either reaction is fine with me. Men are different, but they don’t think I’m weird! Whenever I’ve told a man, any man, that I write Erotic Romance, it’s only the first word that seems to register. The eyes go all bright and beady. It’s so predictable, it’s almost cute.
 
Whatever the situation, stay calm and don’t get defensive. Radiating quiet self-assurance works wonders.
 
So there you have it, eight myths about erotic romance. Write it only if you feel you really want to and remember that no amount of sex can compensate for banal plots, pedestrian writing and weak characterisation.  So you know what to do, don’t you? Write a great story and if it has explicit and meaningful sex in it, well, fine! But if it doesn’t, that’s fine too.
 
People and resources consulted
Toni Blake. Erotic Romance Vs. Erotica: What are the Differences and Why is it Important? RWR: Romance Writers’ Report Vol 27 (6), June, 2007, pp.9-13
Shelley Bradley. Yes, Erotic Romance is Still Romance http://tinyurl.com/32pr67
Joey. W. Hill. www.storywitch.com
Sasha White. What is the difference between Erotica and Erotic Romance? http://tinyurl.com/2te3g6  Y
 
Award-winning Aussie author Denise Rossetti writes for Ellora’s Cave and has been contracted with Berkley Ace for a four-book series.  Her first release, Gift of the Goddess, is now available in print.  Visit her at www.deniserossetti.com


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